Typography
Steven Heller’s Font of the Month: Letraflex
Read the book, Typographic Firsts
Steven Heller goes back to the future with the retro Letraflex, font family, designed by Art Grootfontein.
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Steven Heller’s Font of the Month: JAF Herb
Read the book, Typographic Firsts
Steven Heller falls in love with JAF Herb, a tightly spaced, contemporary blackletter with a brush-script vibe.
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Single letter logos: What do you see?
Read the book, Typographic Firsts
An experiment in single-letter logos.
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How to build a font library on a budget
Read the book, Typographic Firsts
I set myself the task of building a small font library on a budget. Here’s what I picked, but before that, a few points on how I got started:
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The New Johnson & Johnson Logo
Read the book, Typographic Firsts
The new Johnson & Johnson logo is more than a typographic blunder. It’s also a massive branding gamble with a high risk strategy.
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Steven Heller’s Font of the Month: Amberwood
Read the book, Typographic Firsts
If I were to design a new magazine that needed to be both traditional with the hint of edge attitude, I would consider the Amberwood font family. It is a sans serif with a touch of quirk. Its key feature is the brush letter curves that at once gives it a carnival poster sensibility that feels as though it was designed to suggest carefully contoured ribbon.
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Quality Web Fonts
Read the book, Typographic Firsts
Web fonts are more than just a way to make your text look nice. They’re a powerful tool to communicate your brand’s personality, message, and values to your audience. Web fonts also affect the readability, usability, and accessibility of your website — factors which have a direct impact on your conversions and revenue. To get you started, […]
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